Das in Frankfurt am Main beheimatete Entwicklerstudio Crytek baut derzeit eine eigene Publishing-Abteilung auf um künftige Projekte selbst zu veröffentlichen, sagte Dirk Metzger (bisher bei NC Soft für das Marketing zuständig). Bisher hat Crytek für Marketing, Kundendienst und Communityarbeit mit Electronic Arts zusammengearbeitet.

Nach Metzgers Angaben befinden sich die entsprechenden Teams derzeit im Aufbau und werden ihre erste Prüfung mit dem F2P-Shooter Warface zu bestehen haben. Warface befindet sich in Russland bereits im offenen Beta Status. In Europa wird es voraussichtlich noch 2013 soweit sein.

Die Publishing-Vereinbarung für Warface mit Trion-Worlds (Rift) scheint nun nicht mehr aktuell zu sein. Obwohl Crytek angekündigt hatte sich auf Free-to-Play (F2P) Spiele zu konzentrieren, gab es eine Ankündigung des Spiels "Ryse" für die XBOX One als Exklusivtitel.

Nicht zu vergessen, das sich Crytek die Rechte an "Homefront" gesichert hatte als der Publisher THQ insolvent ging. Laut Metzger kann sich Crytek bei solchen Titeln wieder eine Zusammenarbeit mit anderen Publishern vorstellen.

Related Links:
- Forenthread @ Crysis-HQ.com (INFO Thread)
- Warface-HQ.com

Audio is a key component of game design, providing unique technical and creative aspects for a non-linear medium. It is used in videogames to enhance environments, dramatize script and scenes, create a sense of realism, immerse the player into the game, and much more. Games like Far Cry, Crysis, and Ryse: Son of Rome would not be the gaming experiences they are without sound, so audio teams are highly important in creating a sonic identity for Crytek games.

Audio and sound design is an art as much as any other discipline. Industry expert Simon Pressey, who recently joined Crytek as Director of Audio, explains the importance of making a videogame a sonic experience as much as a visual one. “The development of the sound of a game, it’s like creating a world. Sound design is a highly creative field: a large portion of sound has to be created from scratch. A lot of that creation is combining existing sounds into a new one that’s more suitable. For example, a shield bashing sound can be created by combining sounds of roaring cougars. Audio is also about perspective, subtlety, and perception: it doesn’t matter where the sounds eventually come from, as long as they sell the experience.”

Crysis 3 players can now take aim in an exciting new setting thanks to the arrival of our Crysis 3: The Lost Island DLC expansion pack. Featuring new multiplayer maps and game modes, and two brand new weapons, the DLC invites players to return to the scene of the original Crysis by taking up arms on a remote tropical island off the coast of Lingshan.

Available in the US from today (June 4) and the rest of the world tomorrow (June 5), The Lost Island DLC invites players to compete on the new Ascent, Coastline, Creek and Crossing multiplayer maps; trying their hand at the new ‘Frenzy’ and ‘Possession’ game modes at the same time.

“Expanding Warface to Japan is a very important step for us,” said Cevat Yerli, CEO & President of Crytek. “Since it’s a global IP, this move perfectly underlines our strategy in sharing the game’s unique action with gamers around the world. Nexon is a very trusted partner; they have shown us tremendous results in South Korea, where Warface just entered Open Beta after receiving highly positive feedback from gamers during Closed Beta, and we are sure that they will play a key role in ensuring Warface’s success in Japan as well.”

The news that Warface will be coming to Japan is yet another achievement for both Crytek and the game’s publishers after hitting ten million users in Russia and successful Closed Beta phases in Europe and South Korea.

This session covers the visually acclaimed Crysis 3 videogame, powered by the CryENGINE 3, both from a technology and art perspective. Readers will learn about the key techniques from this project such as the rendering pipeline, lighting and materials, high dynamic range usage, anti-aliasing and post processing.

Related Downloads:
fmx2013_c3_art_tech_donzallaz_sousa.pdf - 44.67 MB